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January 2009

Friday, 30 January 2009

Trade-ins as upgrades

In response to last week’s newsletter on offering upgrades, Tina Mammoser commented:

Tina Mammoser, On the Sands, ©The Artist Might I suggest a trade-in upgrade? I've always offered this, though quietly, and your post reminded me that I should announce it more loudly!

Basically I offer a trade-in on paintings for the current sale value towards a larger painting. It's win-win: some collectors may not be able afford the high price of a larger work, or they might prefer something bigger rather than building a set. The collector also gains from the increase in the value of my work too since I trade it for the current value of that size.

For me I get back smaller works that are still sought after. In the current economy I see that as a big benefit for me. There may be more demand for smaller works and upgrades can help me keep a good range of smaller pieces on offer while also allowing me to continue creating the larger paintings.
(Image ©Tina Mammoser, On the Sands.)

I read somewhere that gallery dealers often offer the same--a trade-in--to their best customers who want to upgrade. Might not be a bad idea.

But how would you announce it loudly? Post it on your site?

Thursday, 29 January 2009

Deep Thought Thursday: Capitalism

Is making money on art greed? or just good old capitalism?

--from Tammy Vitale's comment in last week's Deep Thought

Wednesday, 28 January 2009

Try TweetDeck

I just downloaded TweetDeck yesterday and couldn't wait to share it with you. Okay, so maybe I'm the last person to use it, but I couldn't take the chance. Everyone who uses Twitter first needs to follow me (!) and then needs to know about this amazing tool. I'm glad I was paying attention when @lisacall mentioned it in her tweets.

In TweetDeck, all of your Twitter stuff appears on a single page. Below is a screen capture that shows how this looks on your screen.

Picture 1

Tuesday, 27 January 2009

Is an affiliate program for you?

With regard to yesterday's newsletter and podcast about getting other people to sell your art for you through an affiliate program, some of the comments reminded me to share this important thought with you.

Although anyone can create affiliate program (in any number of ways), there is no guarantee of success. Far from it.

Before you can get other people to sell your art for you, you have to sell them on the idea of your art.
Right? What can they get fired up about so much that they can't wait to share it with their friends? The average artist with the average portfolio might find this hard to do.

Your job of attracting affiliates will be much easier if there's something extra special about your work.

  • You have a functional item that solves a problem for people
  • You have a niche market (gardeners, wine lovers, cat lovers) who are crazy about the subject
  • Your work addresses a current event (like all of the Obama artwork out there). Word of caution: Get 'em while they're hot! Art based on current events tends to be a passing fad.

(Anything I forgot here?)

So, spend time on an affiliate program only if you have the art and the loyal fan base to make it work.


Monday, 26 January 2009

Free webinar on copyright--Tuesday, Jan 27

Attorney and friend of artists, Kevin Houchin, is giving a free webinar on copyright--Tuesday, January 27 at 3:00 p.m. Eastern Time. He says it's tailored to authors, but applicable to all creative fields.  Get the details and register.

Podcast: Get people to sell your art for you

Albumart_300

An affiliate program can reward your fans and encourage them to promote your art.

[4 min. 16 sec.]


Extras

These resources are mentioned in the podcast:

Chris Bolmeier shares her guidelines for her affiliate program.

John T. Unger uses E-Junkie affiliate links and has extensive instructions.

I use a sophisticated shopping cart system for my affiliate program.

I found a great article on how to start an affiliate program, which has plenty of resources for you.


Prefer reading to listening? Check out the Art Marketing Action newsletter.

Subscribe to the Art Marketing Action podcast at iTunes.
Instructions for subscribing to this podcast.

Friday, 23 January 2009

Idea for your invitations

I love this exhibit invitation I received from Ron White.

It's a note card with one of his beautiful images on the front and the reception information on a separate sheet of paper (along with his business card).

Ronwhite

Because he didn't print on the note card, I can reuse the card and help him promote his art
. Conveniently, it has his information and Web site on the back of the card--in probably a 14-point font--large enough so you can't ignore it.

So, I get a free card and he gets extra publicity. Win-win!

He might have considered adding at the bottom of the insert something along the lines of this: "Please send this note card with my photography on it to a friend who might enjoy it." Always be asking!


Thursday, 22 January 2009

Deep Thought Thursday: The Experts

If it takes a team of experts to collectively agree that a certain painting is, for example, by Rembrandt or Pollock, should the fake Rembrandts and Pollocks be less valuable?

Wednesday, 21 January 2009

Presentation is everything

This post is in honor of what would have been my grandmother’s 100th birthday--today. There’s a good lesson in it for any marketer, so please forgive the length.


Imagine back to your childhood.
You're about four or five. Christmas morning has arrived and you can't wait to unwrap your presents.

Did you ever break the ribbon, tear off the paper, open the lid, only to reveal . . . a fork???!

I can say with relative certainty that I was the only little girl on N.W. 69th Street in Oklahoma City that opened a sterling silver eating utensil each Christmas. Forks, spoons, knives. Reed & Barton. Pattern: Francis I.

Eventually, I started getting larger boxes. You know what was inside of them, don't you? My china. Lenox. Pattern: Rutledge. It was selected for me at about the same time as my silver was because my favorite color was purple. "Poorpuh," as I was later reminded of my pronunciation, was a standout word in my immature vocabulary.

MomMom-corsage The silver, the china, the crystal chandelier in my bedroom . . . These were gifts from my grandmother: Mom-Mom.

Mom-Mom operated a gift shop out of Stanfield Drugstore for most of her life. My grandfather (Bandaddy) was the pharmacist in the other half of the building. As the proprietress, Mom-Mom outfitted not only her young granddaughter, but also most of the new brides in Seminole County.

Mom-Mom and Bandaddy (I KNOW! I didn't name them!) lived about four blocks down the street from Stanfield Drug--in a two-story, English-style, red-brick house on a small hill in Seminole. To me, it was one of the grandest I had ever seen or been in. No, they weren't rich, but it sure seemed that way. Mom-Mom made the house both elegant and home. Special touches were everywhere.

A pair of golden Lovebirds tweeted in the sunroom. Her black standard poodle paraded around with sparkling rhinestone collar. A fountain bubbled in the garden underneath the pink, feathery blossoms of the mimosa tree.

There was never a paper plate or plastic cup in Mom-Mom's home. Lettuce leaves were carefully washed and put between paper towels to dry and take their place as the prop for a cottage cheese and fruit salad.

The Lesson

One time I was helping Mom-Mom serve a meal to family members and got about halfway to the table before she called me back. She added a garnish of parsley to the plates I had been carrying. "Presentation is everything," she said.

This is how everyone knew and remembers Mom-Mom.

The advice has served me well in all aspects of my life. "Presentation is everything." It's the small things that make a difference and distinguish us from others. As an artist, it’s your attention to the detail of your matting, framing, and display. It’s the care you give your printed materials and your Web site that announce to the world that you’re a professional. It’s the care with which you treat each person you run into because you know they might be a customer one day—that you show them respect and trust.

So, how are you doing on your presentation? Is the language on your Web site inviting? Or does it reveal suspicion and distrust? Does your photography show your work in its best light or will others have to guess at the quality and colors? When you talk about your work, do you do it with enthusiasm and passion or are you timid and lacking confidence?

Remember: Presentation is everything. And you just get one chance to make a first impression.

As you can imagine, I grew to love the forks, plates, and saucers that were given to me as a child. I couldn't wait to use mine as an adult and still look for excuses to set the table with the good china. I refuse to save it only for so-called special occasions.

Increases in shipping rates

Ship much art?

I use FedEx Ground a lot and admit to being slightly oblivious to all the charges and where they come from. Through a partnership program that I belong to (through a publishing organization), I learned of the enormous increases in shipping rates for 2009.

They say an average of 5.9%, but that's just an average. In some zones, it's much more.

With DHL no longer doing business in the US, sometimes our only options for larger shipments are FedEx and UPS. Here are the details about the rate increases from my partnership program, which seem as though they'll be applicable to you as well.