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	<title>Comments on: Podcast: Turn the conversation around</title>
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	<link>http://www.artbizblog.com/2009/03/podcast-turn-the-conversation-around.html</link>
	<description>for the Business of Being an Artist</description>
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		<title>By: Alyson B. Stanfield</title>
		<link>http://www.artbizblog.com/2009/03/podcast-turn-the-conversation-around.html/comment-page-1#comment-787</link>
		<dc:creator>Alyson B. Stanfield</dc:creator>
		<pubDate>Wed, 01 Apr 2009 21:12:42 +0000</pubDate>
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		<description>Machi: Glad we could be of help!

Karen: Yep, that&#039;s what I said in the podcast. It&#039;s just a conversation-starter for most people.

Walter: That IS a dilemma. I think a lot of artists deal with this. They get asked a lot of questions about how things are made with the sense that the person is going to go home and copy it. Very frustrating for artists. I wonder if you could, as I suggest in the podcast, respond with a question: &quot;Tell me about it. What would be your favorite subjects to photograph? And why?&quot;

Marcia: As I said, that&#039;s not my favorite response. It could work depending on your tone, but it usually (as intended by the artist--maybe not you) closes out a conversation. Most artists use that line because they don&#039;t want to talk further about how long it took. This, of course, is beside the point. The point is that more dialog is better. Keep &#039;em talking!
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		<content:encoded><![CDATA[<p>Machi: Glad we could be of help!</p>
<p>Karen: Yep, that&#8217;s what I said in the podcast. It&#8217;s just a conversation-starter for most people.</p>
<p>Walter: That IS a dilemma. I think a lot of artists deal with this. They get asked a lot of questions about how things are made with the sense that the person is going to go home and copy it. Very frustrating for artists. I wonder if you could, as I suggest in the podcast, respond with a question: &#8220;Tell me about it. What would be your favorite subjects to photograph? And why?&#8221;</p>
<p>Marcia: As I said, that&#8217;s not my favorite response. It could work depending on your tone, but it usually (as intended by the artist&#8211;maybe not you) closes out a conversation. Most artists use that line because they don&#8217;t want to talk further about how long it took. This, of course, is beside the point. The point is that more dialog is better. Keep &#8216;em talking!</p>
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		<title>By: Marcia Baldwin</title>
		<link>http://www.artbizblog.com/2009/03/podcast-turn-the-conversation-around.html/comment-page-1#comment-786</link>
		<dc:creator>Marcia Baldwin</dc:creator>
		<pubDate>Tue, 31 Mar 2009 12:51:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.artbizblog.com/2009/03/podcast-turn-the-conversation-around.html#comment-786</guid>
		<description>I love this conversation ! I like to respond with &quot;... about 38 years !&quot; And then I will explain that working as a full time professional fine artist began with a formal education in the 70&#039;s and just about everything I have learned since then went into that painting ! Cheers ! Here&#039;s to another day of experimenting, problem solving, research and successful painting !
Have a Great Day and thanks for a Great blog.
~ Marcia Baldwin
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		<content:encoded><![CDATA[<p>I love this conversation ! I like to respond with &#8220;&#8230; about 38 years !&#8221; And then I will explain that working as a full time professional fine artist began with a formal education in the 70&#8217;s and just about everything I have learned since then went into that painting ! Cheers ! Here&#8217;s to another day of experimenting, problem solving, research and successful painting !<br />
Have a Great Day and thanks for a Great blog.<br />
~ Marcia Baldwin</p>
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		<title>By: Walter Hawn</title>
		<link>http://www.artbizblog.com/2009/03/podcast-turn-the-conversation-around.html/comment-page-1#comment-785</link>
		<dc:creator>Walter Hawn</dc:creator>
		<pubDate>Tue, 31 Mar 2009 04:55:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.artbizblog.com/2009/03/podcast-turn-the-conversation-around.html#comment-785</guid>
		<description>This question has been a thorn in my side for a long time -- but now I know it&#039;s been because I&#039;m defensive about it!  Sad, sad realization.  I coulda done so much better asking Jo-Ann&#039;s question.  H&#039;ever, the comment I get most often, as a photographer is, &quot;If I had a good camera...&quot;  Urk-kk!  The correct answer is, &quot;Your bad pictures would be more technically perfect.&quot;  but that would be impolitic, I&#039;m certain.
</description>
		<content:encoded><![CDATA[<p>This question has been a thorn in my side for a long time &#8212; but now I know it&#8217;s been because I&#8217;m defensive about it!  Sad, sad realization.  I coulda done so much better asking Jo-Ann&#8217;s question.  H&#8217;ever, the comment I get most often, as a photographer is, &#8220;If I had a good camera&#8230;&#8221;  Urk-kk!  The correct answer is, &#8220;Your bad pictures would be more technically perfect.&#8221;  but that would be impolitic, I&#8217;m certain.</p>
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		<title>By: Karen Winters</title>
		<link>http://www.artbizblog.com/2009/03/podcast-turn-the-conversation-around.html/comment-page-1#comment-784</link>
		<dc:creator>Karen Winters</dc:creator>
		<pubDate>Mon, 30 Mar 2009 16:35:52 +0000</pubDate>
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		<description>I really think that people ask this as a conversation opener because they don&#039;t know what else to say - and they don&#039;t know how to discuss brushwork or composition or other factors.

I often tell them, for the small ones, that it took a few hours and then go into an explanation of plein air painting and how much practice and experience it takes to be able to capture a scene while light and weather conditions are changing. Rather than being unimpressed with the short period of time it took to paint (approx 2-3 hrs) they end up being fascinated with a plein air painter&#039;s ability to create under often challenging conditions. I will then explain that when I&#039;m doing  studio painting based upon a plein air field study that it may take weeks to paint.

I love to talk with people about my art, so I consider every question a good one, and a conversation opener that may lead to a mutually-beneficial relationship
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		<content:encoded><![CDATA[<p>I really think that people ask this as a conversation opener because they don&#8217;t know what else to say &#8211; and they don&#8217;t know how to discuss brushwork or composition or other factors.</p>
<p>I often tell them, for the small ones, that it took a few hours and then go into an explanation of plein air painting and how much practice and experience it takes to be able to capture a scene while light and weather conditions are changing. Rather than being unimpressed with the short period of time it took to paint (approx 2-3 hrs) they end up being fascinated with a plein air painter&#8217;s ability to create under often challenging conditions. I will then explain that when I&#8217;m doing  studio painting based upon a plein air field study that it may take weeks to paint.</p>
<p>I love to talk with people about my art, so I consider every question a good one, and a conversation opener that may lead to a mutually-beneficial relationship</p>
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		<title>By: machi</title>
		<link>http://www.artbizblog.com/2009/03/podcast-turn-the-conversation-around.html/comment-page-1#comment-783</link>
		<dc:creator>machi</dc:creator>
		<pubDate>Mon, 30 Mar 2009 16:12:06 +0000</pubDate>
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		<description>Hm, thanks, that&#039;s very interesting. I get asked that question a lot and it does stump me sometimes. Now I have a better way to answer!
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		<content:encoded><![CDATA[<p>Hm, thanks, that&#8217;s very interesting. I get asked that question a lot and it does stump me sometimes. Now I have a better way to answer!</p>
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