by Alyson Stanfield on August 30, 2010
You can start selling art at any time that feels comfortable for you. If someone wants to buy a piece and you believe in the quality of the work, sell it. But there’s a difference between selling art and marketing it. Four-item checklist for beginning sales.
by Alyson Stanfield on August 29, 2010
Best of Alyson’s Twitter tweets from the past week (or so).
by Alyson Stanfield on August 28, 2010
Kirsty Hall messed up and admitted having people on her email list who might not have asked to be there in the first place. She wrote a humble letter and told her list how they could remain on her list. She also told them that they had one week to act. Read the letter in this post.
by Alyson Stanfield on August 25, 2010
Artists should conduct a marketing review to evaluate methods they are using to sell or gain recognition for their art.
by Guest Blogger on August 24, 2010
The most important lesson guest blogger Kesha Bruce learned from opening a gallery was that a gallery is not a substitute for using your contact list and taking care of your biggest supporters.
by Alyson Stanfield on August 23, 2010
You don’t always have to ask for testimonials. Sometimes they happen naturally. When you get a compliment, do you have a way to record it? This is easy when it comes through an email or letter, but more difficult if it’s spoken.
by Alyson Stanfield on August 20, 2010
Amelia Island Artists Workshop is organizing my 2-day art-marketing workshop in Northeast Florida on October 16-17, 2010. Their unique business model is something I thought you might be interested in hearing about.
by Alyson Stanfield on August 19, 2010
If a purported masterpiece fools even the experts, why is it worth less after it’s discovered to be a fake? It’s the same painting as it was the day before. Yet it’s worth millions less on the market. Is it fair?
by Alyson Stanfield on August 18, 2010
Artists who are teaching classes and workshops, accepting commissioned work, and competing for public art projects can increase business with a powerful testimonial.
by Alyson Stanfield on August 18, 2010
Audio version of the post with the same name. Artists who are teaching classes and workshops, accepting commissioned work, and competing for public art projects can increase business with a powerful testimonial.