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  • I have been blogging for almost 5 years and I still got a lot of super-useful info from this 31-day crash course in blogging.

151 entries categorized "Self Promotions and Networking"

Monday, 29 June 2009

Podcast: Include prior connections on your mailing list

Are you assuming--perhaps incorrectly--that certain connections are separate from your art connections? Regardless of the type of work you did before diving into your art career, every contact you have made is valuable.

Include previous connections on your mailing list. As I share in this week's podcast, it's all about cultivating collectors!


[3:52]



Related

Art Marketing Action newsletter (a written version of this podcast)

Cultivate Collectors for your art (online class begins July 8)

Don't shrink your mailing list just yet (newsletter)

I'd Rather Be in the Studio! (book, pages 17-19, 197-211)

Instructions for subscribing to the Art Marketing Action podcast on iTunes.

Monday, 01 June 2009

Podcast: Don't neglect old-fashioned mail

There is such a focus on email that we tend to neglect the value of regular mail and the role it should play in marketing efforts for your business. Listen to the following reasons for including mailings in your marketing strategy . . . then go out and replenish the supply of stamps in your office!


[2:54]



More on This Topic

Art Marketing Action newsletter (a written version of this podcast)Blastoff_abc-125w

I'd Rather Be in the Studio! The Artist's No-Excuse Guide to Self-Promotion (my book contains loads of information about using mail and email)

Summer Blast Off! Get clear on priorities, establish boundaries, and gain courage in this 28-day class that begins June 3.

Instructions for subscribing to the Art Marketing Action podcast on iTunes.

Tuesday, 31 March 2009

Marketer's dilemma: How many email messages are too many?

One of the sections in my book responds to an excuse I hear artist often make for not promoting their art: I don’t want to bother people. No one wants to bother anyone while we’re promoting our stuff, but we know we have to keep our names out there.

I just sent out two large emails to my list. One was to artists in the Midwest--a last-minute reminder that 5 slots remained for the workshop in Terre Haute on April 4. The other was to my entire list and was a reminder that early registration ends for my Estes Park seminar tomorrow (April 1).

I don’t love sending out extra emails. In fact, it kind of makes my stomach churn. I know people are going to unsubscribe to my newsletter when I send out extra emails. And, frankly, I don’t want to bother them.

But I also know the alternative. I know there will be people who are upset because they were “never informed” (e.g. they didn’t read the announcements in my newsletter for the last 6 months).

Case in point

Just last weekend I visited Oregon and I got an email from someone saying she was sorry that she didn’t know about my being there. Although I had mentioned it in the newsletter and it was on my site, I didn’t take the time to send a separate email to the artists on my list that I know are in Oregon. My bad. Very bad. And kind of rude of me not to go out of my way to connect with my fan base there in Oregon. (By the way, I only know where you are when you purchase something from me.)

Because I know that these in-between emails are welcomed by many, I usually hold my breath and send them. For those who aren’t interested, they can hit the good-old Delete button or, hopefully, forward my message to others who might be more interested.

Think about this whenever you worry about contacting your list too often. If you are sincere with your message . . . if you have something of interest to the majority of your list . . . if people might be upset because they missed out . . . you probably need to do as I do: Hold your breath and press Send.

 


More on This Topic

A lesson on using your email list

Get people to sign up for your mailing list

Master your mailing list

Don’t delay your mailing list

Build your own mailing list

Monday, 30 March 2009

Podcast: Turn the conversation around

Do you find yourself getting defensive when you are asked questions about your art you don’t like? Engaging questions help to educate art viewers and, because they build knowledge and an increased level of comfort, go a long way to turning art viewers into art buyers.

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[4:57]


Yes! We have winners!

As I say in the podcast, this topic grew from a Deep Thought Thursday contest I posted a couple of weeks ago. It asked how you respond to the question "How long did it take you to make that?" I selected two winners--those whose answers I felt were the best of the 69 responses at the time the contest ended.

The winners are Liz Crain and Quinn McDonald.
Click on "Continue Reading" at the bottom of this post to see why.

Prefer reading to listening? Check out the Art Marketing Action newsletter.

Subscribe to the Art Marketing Action podcast at iTunes.
Instructions for subscribing to this podcast.

Continue reading "Podcast: Turn the conversation around" »

Sunday, 22 March 2009

Self-Promotion: It's All In Your Head

Guest blogger for today's post: Lee Silber

While I was attending The Art Institute for advertising and design, a life-changing opportunity presented itself—and I almost said "no". At the time, I was the owner of a surf shop, worked part-time in the promotion department of the number one radio station in San Diego—and went to school all afternoon. So, when the Dean of my school came to me and asked, "You work in radio, right?" I nodded, and he went on to ask. "How would you like to work a few days a month for free?" My initial reaction was, "Are you kidding me?" However, before he walked away I asked, "Who would I be working for and what would I be doing?" The Dean said, "You would be working with Paramount Pictures promoting films." I took the gig.

Surf_Lee The internship was really an amazing opportunity. All I had to do was set up free screenings for upcoming films and coordinate promotions with area radio stations. I could go on and on about all the things I learned about promotion from Paramount Pictures, but there was a bigger lesson to be learned than the marketing specifics. Alan, my contact (and later, my mentor) at Paramount Pictures taught me something that would forever change my life—and I want to share it with you.

The minute I met Alan I knew we were going to get along great. He LOVED marketing—and not just for films, but everything. He was also able to come up with a dozen ways to promote anything, anywhere, at any time. He would come visit me at my surf shop and walk around and throw out ideas left and right. I followed him with a note pad and implemented as many of his ideas as I could—and they all worked. One day I asked him, "How do you do it?" He looked at me and said, "Do what?" I told him, "Just pull these amazing sales and marketing ideas out of thin air?" Then he told me how he did it.

Alan paid attention to everything hawked on television, radio, billboards, print ads—everything. He took mental notes when something was working—and spun it to use for his own campaigns. He'd been doing that since he was a teen and he picked up marketing ideas that worked for everything. Of course I asked him, "Well, what are they?" This was what he told me. "People buy benefits. Turn everything around to be about them. Tell them why they should buy it—what's in it for them if they do buy. Don't make them guess. Don't make them wait. Connect the dots between what you are offering and what they want and need." He went on to say, "People are busy, lazy, and not that bright. So, keep it simple and make it easy for them to understand and act on your offer—tell them what to do, how to do it, and make it seem urgent."

I have used Alan's principles to perfection. I also became a student of advertising and promotion. I pay close attention to commercials. I study what my competitors do to market themselves. I read everything I can about this area of business because it's that important. However, it never dawned on me that 20 years later my very own intern would say to me, "Lee, how do you do it. How are able to rattle off clever and cost-effective promotional ideas so easily?" I then told her about Paramount Pictures and Alan.


Lee Silber is the author of Self-Promotion for the Creative Person, Time Management for the Creative Person, and many other books. Read more about him at LeeSilber.com.

Monday, 09 March 2009

Podcast: Promote an out-of-town event

Have an out-of-town event and wondering how you can promote it from afar? Today's podcast (below) gives you 10 sure-fire suggestions for promoting your event without ever leaving your home.

Here’s the 11th idea: Start a countdown.

Build anticipation for your event by ticking off the days leading up to it.

It’s easiest to do this on a blog and on your social media profiles, but you could also do it with an email blast for people who have opted in. (If they opted in for monthly emails from you, don’t start sending them daily messages! You could start with weekly messages--being clear that it is only temporary and they can opt out at any time.)

Of course, you have to give people something new each day so that they will anticipate whatever is coming up.

For instance, if you wanted to do a 30-Day Countdown, you could post

  • 30 reasons to attend your event
  • 30 things you’ll see at the event
  • If you have a good sense of humor, 30 reasons you should stay away from the event

Watch for more as I start my own countdown tomorrow--right here on this blog.

Now for the podcast

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[4:42]


Check out these events

No-Excuses Art Marketing Workshop in Terre Haute, IN (April 4)
Keynote address in Milwaukee, WI (March 20)
Keynote address, Artist 2 Artist professional development fair, Hood River, OR (March 28)

Prefer reading to listening? Check out the Art Marketing Action newsletter.

Subscribe to the Art Marketing Action podcast at iTunes.
Instructions for subscribing to this podcast.


Monday, 02 February 2009

Podcast: Show a little love to your community

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Use Valentine's Day as the perfect excuse to do something special for your VIPs

[3 min. 33 sec.]


Mentioned in this podcast

The Cultivate Your Connections class begins on February 11.


Prefer reading to listening? Check out the Art Marketing Action newsletter.

Subscribe to the Art Marketing Action podcast at iTunes.
Instructions for subscribing to this podcast.

Tuesday, 27 January 2009

Is an affiliate program for you?

With regard to yesterday's newsletter and podcast about getting other people to sell your art for you through an affiliate program, some of the comments reminded me to share this important thought with you.

Although anyone can create affiliate program (in any number of ways), there is no guarantee of success. Far from it.

Before you can get other people to sell your art for you, you have to sell them on the idea of your art.
Right? What can they get fired up about so much that they can't wait to share it with their friends? The average artist with the average portfolio might find this hard to do.

Your job of attracting affiliates will be much easier if there's something extra special about your work.

  • You have a functional item that solves a problem for people
  • You have a niche market (gardeners, wine lovers, cat lovers) who are crazy about the subject
  • Your work addresses a current event (like all of the Obama artwork out there). Word of caution: Get 'em while they're hot! Art based on current events tends to be a passing fad.

(Anything I forgot here?)

So, spend time on an affiliate program only if you have the art and the loyal fan base to make it work.


Tuesday, 09 December 2008

Working with interior designers

Gay Jervey contributed a nice article to the December issue of Art Calendar on working with interior designers. Among her findings:

  • Designers prefer working with galleries because they can see numerous artists at once.
  • “Email blasts with images of an artist’s work are great.”
  • Marketing material should be quality (well designed, dynamic images). This also applies to Web sites!
  • Understand the designer’s work before you contact her. Make sure it’s a good fit.

So, while the designers preferred working with galleries, they also enjoyed familiarizing themselves with the artists’ work outside of the gallery.

Bottom line: Don’t take designers off of your mailing list just because they prefer working with galleries! You need to keep your name and images in front of them.

PS: I write for Art Calendar and I didn’t know they had a digital version! The online version of the magazine is only $2.95. Get it here.

Wednesday, 03 December 2008

100 days, 100 paintings, 100 dollars each

This is what I’m talking about! Don’t do what other artists are doing. Add a twist!

Artist Brian Kliewer likes the “painting a day” phenomenon, but (and this is my take with my words) that’s getting kind of old. We like NEW ideas!

Instead of just doing a painting a day, Brian is promoting 100 Paintings in 100 Days for $100 each. And the response  has been outstanding. Check out all of the red dots for yourself.

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Image ©Brian Kliewer, Nosing In.
Someone better grab this before I do. I love Brian's white-belt cattle!

How can you add a twist to something that’s been around for awhile and make it fresh--make it yours?