After years of encouraging artists to join artist organizations, I’m going to commit blasphemy with this post, which is somewhat of a follow-up to my post on poisonous relationships. I love groups that function smoothly, but many people start an artist organization without much of a vision. They want to have control without thinking about what is best for members and without first trying to improve existing organizations. [...]
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The second principle of no-excuse self-promotion, according to I’d Rather Be in the Studio is: “Connections are critical to your success. To succeed, you must make an effort to meet new people and to maintain relationships.” But not all connections are equal. Some connections can be detrimental to your art, your emotional well-being, and your growth. [...] I want Conspiracy members to be proactive and seek out relationships that will further their careers. I want that for you, too. Perhaps sharing these lists about how I collaborate in my business might trigger something for you – a way you can make collaborations work for you. [...] Be seen at openings, lectures, and events, and show your work – a lot! Be supportive of arts organizations and of other artists. Be a reporter. [...] Fiona Purdy offers a solution to artists who are bombarded with requests for donations. She shares a letter she wrote recently in response to a donation request – a letter that educates the fundraisers. [...] 
You cannot possibly donate to every organization in need, so consider and set your donating limits now to have your response ready when receiving these inquiries. [...] 
Even if the proclamation of National Arts & Humanities Month is for the U.S., we know that national boundaries are fuzzier because of the Internet. We feel a kinship with artists around the globe. I ask you to spend time this month on these two actions: collaborating and advocating. [...] 
Artists are what defines any arts agency, be it an arts council, commission, or board. Artists are the reason you exist. Artists can be your best advocates or your biggest critics. To ensure the artists are on your side . . . [...] Except for the few artists who have reached the level of success that enables requires help from assistants to keep up with the demand for their work, we artists are a lonely bunch. Solitude is good for creativity, but only up to a point. Community, education, critique, support, and inspiration are good for our work and our psyches. [...] You can’t control what people do with the marketing material you hand out, but you can control how you respond when someone does something shocking with your images. Before you assume anything, ask questions and get the facts. Only when you’re armed with answers can you respond appropriately. You’re aiming for a win/win situation. [...] |
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