I’ve asked about what it means to be “too commercial” before, but this article in Hyperallergic had me thinking about it again. It discusses a limited-edition $2,500 book by Annie Leibovitz for Taschen and the Wu-Tang Clan’s plan to sell access to a pricey album for 1-time-only listening.
Artists often go out of their way to learn new techniques from well-established instructors. You might drive a long distance, hop on a plane, or invest a good chunk of change. Today’s deep thought comes from a reader who thinks you probably have something to say about these classes.
Artists have to be the servant to society. – Marina Abramovic. Discuss.
One of my coaching mentors used to say that she couldn’t separate business coaching from personal coaching. “It’s all personal,” she would say. If you read enough business motivation, you will come across attempts to help coach you through rejection and criticism with some form of the following. . . . “You are not your business.” . . .
Sometimes we grow out of art that isn’t our own. Our tastes change. Or we were gifted a piece by a generous artists, but it’s not really “us” or it doesn’t fit in our home or with our aesthetic.
Best in Show . . . First Place . . . Viewers’ Choice . . . Purchase Prize . . . Honorable Mention. Deep Thought for Artists >> What good are artist awards? Do they lead to a better career for the winners?
I’ve received a lot of emails recently from artists giving me a discount in the spirit of the season – if I buy. “My gift to you . . . because I appreciate you so much . . . is 10% off my work.” I’m not certain this is a gift, but I’m willing to change my mind. Can you convince me otherwise?
You’re minding your own business at your show when an artist you don’t know comes up and asks you if you want to do a trade: his artwork for yours. You don’t know anything about this artist’s work. How do you respond?
I’ve had the fortune of nurturing fairly close relationships with artists in the virtual world since 2002. Because I’ve been at it for so long, I have witnessed too many artists deal with illness – temporary, chronic, and fatal. I feel hopelessly inept to provide any guidance for artists in these situations. Can you help?