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We all go through them. All of us. We need to wallow a bit, but then we need to find our way out.
How do you emerge from a slump? See related newsletters: Craft a Starting RitualGet with the Motors Subscribe to the Art Marketing Action podcast at iTunes. Instructions for subscribing to this podcast.
This podcast is an audio version of the Art Marketing Action newsletter. Send to Kindle A body of work will define you as an artist, but what is a "body of work" ?
See related newsletters: Define Your StylePut Your Art First Subscribe to the Art Marketing Action podcast at iTunes. Instructions for subscribing to this podcast.
This podcast is an audio version of the Art Marketing Action newsletter. Send to Kindle Today’s Art Marketing Action newsletter is about creating a body of work. I write, “As a mature exhibiting artist, you need to create enough work to have a couple of solo exhibits simultaneously.” But I know that you want a number. You’d be happy if I’d say that you’re sitting pretty if you have 20 works in a recognizable style. But I’m not going to do that. (Apologies) Image (c) Bonnie Hurst, Buffalo Painting #2 (detail) Some people will tell you to have enough work for two solo exhibits. In her email query to me, Bonnie Hurst noted that Georgia O’Keeffe said three exhibits. Remember back when we used to use slide sheets? We heard that artists needed two pages of slides (40 works) in a recognizable style. But the answer can’t be the same for every artist. Some artists produce at a much slower rate and the work is grander in scale. They [...] |
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