You don’t really think about art exhibition labels until you can’t read them or they look like a sloppy afterthought.
In order to give yourself proper credit for your art, it should have an object label next to it—wherever it’s shown, in person or online.
The only wrong way to do this is to not do it at all. I suggest you standardize your format so that it’s easy to use every time.
Pointers on Wall Labels for Your Art Exhibition Read
Sometimes we get sloppy and forget that everything we do and say around our work affects how others perceive it. You teach people how to treat you and your art. Make sure you’re sending the right signals. Here are 16 things to consider.
16 Ways to Demonstrate Your Art Has Value Read
I often write about making art big enough to hold your dreams. Pallucid was built in Rebecca diDomenico’s large living room over the course of a year, but she didn’t think much about how she was going to get it out of her home and into the museum. She said: You find a way.
Art Too Big? No Such Thing! Read
Many curators – especially those of contemporary art – will argue the merits of using labels in exhibitions. Not many of them are opposed to identifying the art, but a lot of them wish to stop at that. They don’t like to use extensive text on labels. On the other hand, the general public loves
Labels For Your Art Installation Read
Get a transcript of episode 182 of The Art Biz (Rethinking Mailing Lists for Artists) followed by a 3-page worksheet to evaluate the overall health and usage of the 3 types of artist lists.
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